The printmaker’s group I am a member of, Wiltshire Print Creatives, has another group show running at the moment. The venue this time is the wonderful Fisherton Mill, in Salisbury. We have almost 50 works available framed, plus about the same again in browsers and lots of cards, which given the wide range of styles in which we work and the varied subjects, means lots of choice for buyers.
Every Saturday between 11am and 3pm, some of the group will be in the gallery to talk about their work and about printmaking in general. You will also be able to see examples of printing plates, tools etc used to make some of the works in the show.
A bit late but I’m part of this show. If you can’t make that we’ll also be at the Black Swan Art Boot sale in Frome, Somerset on 8th July. That’s a great place to find a huge variety of work and Frome is worth a trip anyway.
Last year I joined with a group of other artist printmakers who share the same workshop space to form Wiltshire Print Creatives, an informal collective. We had our first group show in November at 44AD Artspace in Bath. We were very pleased with the reception we got and sold quite well, so we are now firming things up to create a more coherent presence with a web site and social media. You can already find us on Twitter and get an informal peak behind the scenes but we intend to ramp this up over the next few months and probably add other social media platforms like Instagram.
We also have a couple of further shows lined up – more later – but are still looking for new opportunities and venues, especially where we might be able to establish a more permanent presence.
Collagraph after Kurt Schwitters by Ian Bertram
Untitled – drypoint with chine colle by Ian Bertram
A bit late in the day for a promo, but I’m taking part in a group show at 44AD Gallery in Bath as a part of Wiltshire Print Creatives. We are an informal collective of printmakers, united only by the use of the same workshop space at Wiltshire College in Trowbridge.
We hung the show on Monday morning. Coming back for the evening Preview and seeing the show as a whole for the first time it was obvious that sharing the same workspace has allowed for some sort of artistic osmosis. Everywhere I looked I could see commonalities in vision and expression across all the work. I was very proud to see what we had achieved. Despite the fact that this is the work of friends I can genuinely say that the work on show is to a high standard both technically and creatively and well worth a visit if you can. My thanks to the other 11 for their support over the years and for their work in putting this together and making it happen.
This is a proof print from a collagraph plate made some time ago, that I have just returned to. I made it after visting the Kurt Schwitters exhibition at the Tate in London. I’ve made a couple of coloured versions, but nothing so far has worked out and I still prefer the proof! One option might be to add collage elements, but I really wanted to interpret his work, not replicate it. I think I shall add some texture to the area surrounding the two main elements in order to increase the density of ink. I will probably do that with carborundum.
A collagraph print called ‘Upper Teesdale’. Part of a series of prints evoking memories of landscapes and places experienced in the past. I included many such in a show called ‘The Landscape of Memory’ that I self curated at the Black Swan Art Centre in Frome. It has not been produced as an edition, each print being treated as a monoprint.