I recently realised that purely by chance I have in 2014 and 2015 made two series of tiny prints. In both cases they came about as a way to get back into making some work after illness. Looking back at the work produced it seems though, that they also have some merit in their own right, not just as occupational therapy. I’ve decided therefore to make a 2016 series.
The mainly ochre & blue print above is from 2014. It came about by chance. I used to clean up my palette after painting in acrylics by pressing a sheet of paper across it. I liked the effects so started using watercolour paper. Some years later, turning up these sheets I decided to cut them up into smaller squares with the idea of rearranging them squares into a mosaic collage. However my cutting up wasn’t very precise so that didn’t work and I was left with lots of poorly cut squares. About then I was taking a stand at an Art Boot Sale and wanted to boost my stock with some affordable items and decided to use these pieces. I ordered some 6″ x 6″ mounts with a square aperture about 2″ x 2″ (from Cotswold Mounts – highly recommended) and quickly created about 30 tiny prints. These proved very successful on the day and I sold almost half of those I had taken with me.
As an aside, when writing this post, I realised that another influence had been sitting in front of me for a few years. This is a tiny painting I acquired from artist Leslie Avon Miller back in 2009.
Moving on to 2015, I acquired a set of samples of mountboard, which I had no use for, since it is very rare that I use a mount colour other than an off-white. Taking inspiration from the images below, I used these small squares of card to create collagraph plates.
The prints above were an experiment in capturing some of the feel of the painter’s brush stroke in a print. I only made four, (I really should get back to them sometime) but with them in mind about 30 small square plates. I made some monochrome proofs on a single sheet, then set about printing. I used the plates singly and in combination, although I soon found that more than two plates usually created a mess.
You can see all the prints in the two series currently in my Etsy shop here:
At the time of writing, there are still more to add in both series.
So, what about 2016? I haven’t finally decided yet, but have two options I’m considering. Option one (provisional title Geometries) is a set of small plates I’ve made (about A7 in size) to be printed on Khadi paper. Option two (provisional title Serendipity) will take a different approach and will involve printing on business card size sheets, also from khadi, but using plates larger than the paper so printing right to the edge. I’m leaning to the latter since I am thinking of these series of tiny prints as a way to experiment rather than just to produce inexpensive pieces.